3)Creates a dramatic, mysterious, and slightly eerie mood. This kind of lighting is often used in film noir or horror genres to suggest emotional complexity, secrecy, or danger.
1)This is an example of high-key lighting.
2)This image uses top lighting.
3)Though brightly lit, the shadows cast by the top lighting create a tense, intense, or even intimidating atmosphere — especially in the face.
1)This is an example of low-key lighting.
2)This image uses back lighting.
3)This lighting creates a moody, mysterious, and gritty atmosphere. It feels tense, dangerous, and cinematic — typical of the neo-noir genre.
1)This image is an example of low-key lighting.
2)The lighting here appears to be primarily side and back lighting.
3)he strong shadow and sharp contrast contribute to a feeling of fear, suspense, or panic — common in horror or thriller imagery.
1)This image also uses low-key lighting.
2)The main light source appears to come from the side
3)The low-key, side-lit setup creates a sensual and intimate atmosphere. The limited light suggests secrecy or tension.
1)This image is a strong example of low-key lighting.
2)The dominant source is back lighting (lighting from behind the subjects).
3)The back lighting turns the figures into silhouettes, removing individuality and emphasizing shape and movement — which gives them a threatening, dehumanized presence.
1)low key lighting
2)this is side lighting
this helps us to kbnow conventions of genre
1)This image is an example of low-key lighting.
2)The light source appears to come from above (top lighting).
3) The top lighting accentuates the expression, giving a dramatic, almost spiritual feeling
1)low key lighting
2)side lighting
3)horror
1)high key lighting
2)side
film noir
Origin: Emerged in the early 1940s, mainly in American cinema; term coined by French critics post–WWII (“black film”).
Influences: German Expressionism (1920s), hard-boiled detective fiction, and postwar disillusionment.
Themes: Crime, moral ambiguity, fatalism, betrayal, alienation, and corruption.
Tone: Cynical, pessimistic, and psychologically complex.
Typical Characters:
Anti-heroes and morally conflicted protagonists.
Femme fatales—seductive women leading men to doom.
Corrupt cops, gangsters, and private detectives.
The clip uses a single, harsh light source to create deep shadows and strong contrasts—typical of film noir’s low-key lighting. The hard light sculpts the actor’s face, leaving much of the background in darkness, which builds tension and mystery. This chiaroscuro effect highlights the noir mood of moral ambiguity and danger, aligning with the genre’s classic visual style.
uzak Uzak appears to be about isolation , loneliness , or emotional distance , suggested by the solitary figure, muted colours, and empty space in the composition. Uzak fits the art-house drama genre, with a focus on character study and emotional depth, typical of independent cinema . Uzak targets a more mature , film-literate audience , possibly those interested in international cinema and slow-paced narratives . 'im Not Scared likely deals with childhood fear , secrets , or a journey of discovery , hinted at by the low-angle shot of the child looking into a hole, creating a sense of mystery and vulnerability. 'm Not Scared blends drama with elements of a thriller or coming-of-age film, due to the suspenseful imagery and the young protagonist. 'm Not Scared is aimed at teenagers to young adults , or general audiences who enjoy emotional stories with a mix of tension and innocence . Sin City is a dark, stylised crime film that seems to focus on vio lence, c...
Blade runner The Blade Runner poster uses dark colours and futuristic imagery to create a sense of a dangerous, high-tech world. The tagline "Man has made his match – now it's his problem" suggests that humans have created something powerful, possibly a robot or artificial human, and are now facing the consequences. This creates mystery and makes the audience want to know more. The lighting highlights the main characters, especially the man in the centre, suggesting he is important to the story. The city in the background, full of lights and flying cars, clearly places the film in a future setting. The poster uses typical sci-fi visuals to attract fans of the genre, while also hinting at deeper themes like control, identity, and technology. Overall, the poster sets up a dramatic and thought-provoking story about the dangers of playing god. scary movie 2 The Scary Movie 2 poster uses bright colours, exaggerated facial expressions, and chaotic character placement to si...
1) For my preliminary exercise, I will be working in a pair. The scene will be filmed in a quiet room with a door and two chairs placed opposite each other. One character will already be seated, while the other enters the room through the door, walks across the room and sits down. After sitting, the two characters will exchange a short piece of dialogue. This setup allows us to clearly demonstrate continuity editing techniques. 2) INT. ROOM – DAY CHARACTER B is sitting on a chair, waiting. The DOOR HANDLE turns and the door opens. CHARACTER A enters the room, walks across and sits down opposite CHARACTER B. They look at each other. CHARACTER A Hi. CHARACTER B Nice to meet you. They sit in silence for a moment. 3) Close-up of door handle turning Medium shot of character opening the door Wide shot of character entering the room Medium shot of character walking across the room Medium shot of character sitting down (match on action) Over-the-shoulder shot of Character B speaking...
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